Paintings

General

• van den Berg, K.J. (2016). ‘Making paint in the 20th century: the Talens Archive’. ‘Colour Change in Easel Paintings’  Eds. R. Clarricoates, H. Dowding and A. Gent. Archetype Publications Ltd, London, pp.43-50.
• Artemak.art: The Artist Interview in Conservation – A Guide
• The Menil Collection / Whitney Museum of American Art: Artist Documentation program (ADP)
• GREen ENdeavor in Art ResToration

Canvas Paintings

• Rowan Frame et al. Treatment of a large, damaged, 20th-century canvas painting in a private practice context: Challenges and opportunities, Journal of the Institute of Conservation, In Review
• Barker and Ormsby, 2015. Conserving Mark Rothko’s Black on Maroon 1958: The Construction of a ‘Representative Sample’ and the Removal of Graffiti Ink, Tate Papers, 23
• Bartoletti et al., 2020 Reviving WHAAM! A Comparative Evaluation of Cleaning Systems for the Conservation Treatment of Roy Lichtenstein’s Iconic Painting, Heritage Science 8:1.

Oil

• K.J. van den Berg, I. Bonaduce, A. Burnstock, B. Ormsby, L. Carlyle, G. Heydenreich, M. Scharff and K. Keune (eds), ‘Conservation of Modern Oil Paintings’, Springer International Publishing, Switzerland 2019.
• The Girl in the Spotlight: A technical re-examination of Vermeer’s Girl with a Pearl Earring, Edited by Abbie Vandivere, Mauritshuis, Netherlands
• Banti, D., La Nasa, J., Lluveras Tenorio, A., Modugno, F., van den Berg, K.J., Lee, J., Ormsby, B., Burnstock, A., and Bonaduce, I. (2018). ‘A molecular study of modern oil paintings: investigating the role of dicarboxylic acids in the water sensitivity of modern oil paints‘. RSC Advances, 2018, 8, 6001-6012.
• Bay, L., A. Burnstock, J. Lee, B. Ormsby, and van den Berg, K.J. (2017). ‘Water sensitivity of modern oil paintings‘. In ICOM-CC 18th Triennial Conference Preprints, Copenhagen, 4–8 September 2017, ed. J. Bridgland, art. 1302. Paris: International Council of Museums.

Acrylic

• Getty Conservation Institute: Cleaning of Acrylic Painted Surfaces (YouTube videos)

Watercolour

• Bomford, D Perspective, Anamorphosis, and Illusion: Seventeenth-Century Dutch Peep Shows In: Gaskell I, Jonker M, editors. Vermeer studies: studies in the history of art 55. New Haven, National Gallery of Art: Washington; 1998. p. 124-135
• Gaskell I, Jonker M, editors. Vermeer Studies: studies in the history of art 55. New Haven and London, National Gallery of Art: Washington DC; Yale University Press; 1998.
• Tate. How to Paint like Turner
• ‘How to Paint like Turner’, Nicola Moor and Ian Warrell, Tate 2010.

Artist Materials

• National Portrait Gallery. Artists: their materials and suppliers, 1650 – 1950
• National Portrait Gallery. The Art of the Picture Frame, 1600-1950
• National Portrait Gallery. Directory of British Picture Restorers
• Haack Christensen A, Jager A. Trading paintings and painters’ materials 1550–1800. CATS proceedings IV. London: Archetype Publications Ltd; 2019.
• ‘How Turner Painted. Materials and Techniques’ by J. H. Townsend; Thames & Hudson 2019.
• Artemak.art: Archive for Techniques and Materials of Contemporary Artists